
why do the geese cry
and mountains slouch forward
why does the sky pour fire at midday
why are there so many of us who have forgotten how
to praise those we love
why is your name carved into
this damn fucking rock ledge, why
was kilroy never here, why are the powers
of friendship so persuasive?
you tell me.
human bites are up 23% this year,
and dog bites are down.
why is the earth shuddering under
its growing weight of concrete?
we are not far from what holds us--
it's no worse than face-to-face distance.
i've had that, haven't you?
(memory : when i visited Father in new hampshire,
after six-course dinners, i would tiptoe
out to feel the dewy crisp of leaves,
weigh apples in the palm of my hand,
bobbing the branches. i thought i saw
a shadowed face watching me from the window
while i climbed thick
limbs with chinese etiquette, riding
the heavy wood like a lady, legs
swung over to one side;
the rest of this poem has nothing
to do with Father,) except for
the hereditary heart disease of passion
and decorum.
...................................................
side-saddle is only one of the ways
i want to ride you, baby
while
unborn sounds are torn from my throat
in a wild gallop impossible to reign in
on memory-foam pillows.
impaled on the splinter between dreams
and waking,
i think of fingers, hands gripping
the small of my back; the sides of my waist.
i lean against the wall, spent, legs too shaky
for walking away now
the relief of cloth pulled off.
your hands
drawing my hands down to you.
i stroke
and then
i mouth you.
i will show you but you already know
how i move, groan,
lift my hips insistently
in a love of rhythm--
how i yawn.
we can do anything and everything in dreams,
nothing is impossible.
the silver edges of your gaze
have cut my heart in two
you own me now
in the place where
it's always warm
i long to be a poem
on red paper,
a softly haunting verse
opening my thighs
in a sinuous invitation
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